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Diocesan Museum of Luogosanto
Housed in the former 13th-century Franciscan convent of Luogosanto, the museum is one of the sites of the museum system of the Diocese of Tempio and Ampurias.
Inside the ancient cells of the friars, some of which have been restored to their original state, visitors can admire the original statues and marble bas-reliefs dating from the 16th to the 18th century, belonging to the rural churches of Luogosanto, along with some paintings and sacred furnishings, silver ex-votos, and the treasure of the Madonna of Luogosanto, which is a large collection of precious jewels donated over the centuries to the Madonna of Luogosanto as a sign of devotion, mainly comprising gold rings and precious stones, as well as brooches, earrings, and silver rosaries.
The museum is completed by a Holy Grail hologram, the Documentation Center of the Middle Ages in Gallura—which includes two interesting scale models of the Palace of Baldu—and an ethnographic room. The ethnographic room houses reproductions of traditional clothing from various eras related to the Tempio Pausania area, which inspired the costumes worn by the Luogosanto folk group. The styles of the clothing range from those with Spanish influence dating back to the 1700s to the more sumptuous and elegant Italian-inspired designs of the 1800s.
The room also features reproductions of photos and paintings of Luogosanto from the past. The museum also hosts temporary exhibitions and serves as a welcome and information point for pilgrims and tourists.
Via Giosuè Carducci snc – 07020 Luogosanto SS
https://www.museumtempioampurias.it/
alessandrosecchi130874@gmail.com
n/a
Alessandro Secchi +39 333 67 27 080
4 euros
Summer 2024 hours: Monday to Friday: 10:00 AM – 12:00 PM
Monday, Wednesday, Friday: 5:00 PM – 7:00 PM
Saturday and Sunday by appointment
From October 2024: by appointment only
40 min.
- HATCHET (Piola)
- BARRELS
- SLIDING ROLLER CONVEYOR
The hatchet is the only tool used by workers specialized in cork extraction, who are called extractors or, more commonly, bark strippers, in Gallurese Li Bucadori. A figure rich in history and tradition, never replaced by advancing technology.
Each extractor has their preferred and personal hatchet, almost always handcrafted and jealously guarded. Each of them usually works in pairs, which must be perfectly synchronized and in tune.
From this point on, they move into action. Positioning themselves on opposite sides of the oak tree, the ‘Bucadori’ make several extremely precise cuts at strategic points on the trunk. In particular, they first make a horizontal cut along the entire circumference at a precise height between 1.5 and 2–3 meters, called the ‘corona’ or ‘collana’ (crown or necklace).
A meticulous cut, done well only if it has a certain inclination with respect to the vertical of the tree, if it follows a straight line, and if its surface is clean and smooth.
But above all, a cut that highlights and enhances the experience and skill of each bark stripper compared to their colleagues.
Following the entire vertical of the plant and tracing the different portions of bark to be extracted, called planks, the other cuts are named openings or rulers.
Not by chance, the bark strippers must try to act by imparting a certain force to the hatchet, with precise sensitivity, in order to avoid damaging the layer underneath the cork, the so-called phellogen, fundamental for the life of the cork oak. (1591) Source: Sadenda
Museum of Banditry
The Museum of Banditry aims to conduct research on the material testimonies of man and his environment: it acquires them, preserves them, communicates them, and above all exhibits them for the purposes of study, education, and enjoyment. Without running the risk of mythologizing the figure of the outlaw and exalting his deeds, the museum’s objective is rather to spread positive values for the construction of a mentality that favors the affirmation of legality and public morality at every level. In a territory like Gallura, which was the protagonist of the banditry phenomenon for about three centuries, this cultural center fits perfectly, offering visitors and residents an overview of documents, photos, films, objects, and testimonies of the past, but above all trying to stimulate reflections on a future to be built together.
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